[1] Craig lived in a ménage à trois with the dramatist Christabel Marshall and the artist Clare 'Tony' Atwood from 1916 until her death.
[citation needed] Craig was educated at Mrs Cole's school, a co-educational institution in Earls Court in London, then studied at Dixton Manor, Winchcombe, Gloucestershire, under Elizabeth Malleson, who introduced her to the suffrage movement, and later at the Royal Academy of Music.
In 1895 her performances in Pinero's Bygones and Charles Reade's The Lyons Mail respectively were praised by George Bernard Shaw and Eleonora Duse.
[citation needed] Craig also acted in plays by George Bernard Shaw and Henrik Ibsen, toured with Mrs Brown-Potter and the Independent Theatre.
[8] In 1899, Irving employed her to make the costumes for his production of Robespierre, which led to her going into business as a dressmaker as Edith Craig & Co in Covent Garden until 1903.
After Ellen Terry left the Lyceum Theatre and went into management, Craig accompanied her on her tours in the English provinces and America as her stage-director, and from then play-production became her chief occupation.
The plays in translation allowed the group to reach beyond the Actresses Franchise League and to be accepted into mainstream English theatre.
[8] After the Pioneer Players finally closed, Craig produced plays for the Little Theatre movement at York, Leeds, Letchworth and Hampstead.
In 1919, she was an important figure in the British Drama League (BDL), which had been formed to promote amateur theatre throughout the United Kingdom, and to encourage a lasting peace after World War I.
After she met a woman selling newspapers for the Women's Freedom she became a member and worked at branch level for that group.
She directed A Pageant of Great Women, a play she devised with the writer and actor Cicely Hamilton, which was performed across the United Kingdom before large audiences.
A Pageant followed the concept of a morality play in which the main character, Woman, is confronted by the antagonist, Prejudice, who believes that men and women are not equal.
[17] Craig directed each production of this play, bringing the three professional actors to perform Woman, Justice and Prejudice and the historically accurate costumes with her to each venue.
However, the marriage was prevented by Ellen Terry, out of jealousy for her daughter's affection, and by Christabel Marshall, who wrote under the pseudonym Christopher St. John, with whom Craig lived from 1899 until they were joined in 1916 by the artist Clare 'Tony' Atwood, living in a ménage à trois until Craig's death in 1947.
[19] Craig died of coronary thrombosis and chronic myocarditis on 27 March 1947 at Priest's House, Smallhythe Place while planning a Shakespeare festival in honour of her mother.