Ed Dorn

[1] In 1951, Dorn left Black Mountain and traveled to the Pacific Northwest, where he did manual labor and met his first wife, Helene; they returned to the school in late 1954.

After graduation and two years of travel, Dorn's family settled in Washington state, the setting for his autobiographical novel By the Sound (originally published as Rites of Passage), which describes the grinding poverty of life in "the basement stratum of society."

In 1965, with the photographer Leroy Lucas, Dorn spent the summer visiting Indian reservations for a book commissioned by William Morrow & Co. Press, The Shoshoneans.

That fall, British poet and scholar Donald Davie invited him to join the faculty at the Literature Department he was creating at the new University of Essex.

In San Francisco, he collaborated with the printer and artist team of (Holbrook) Teter and (Michael) Myers on a number of projects, including the Bean News, the comic book format of Recollections of Gran Apachería', and the typesetting of the complete Gunslinger in 1974.

In 1977 Dorn accepted a professorship at the University of Colorado at Boulder, where he taught for the rest of his life, directing the Creative Writing Program and editing the literary newspaper Rolling Stock (motto: “If It Moves Print It”) with his wife Jennifer.

[3] During the 1990s, after a teaching exchange visit to Paul Valery University in Montpellier inspired an interest in the Cathars of Southern France, he started working on Languedoc Variorum: A Defense of Heresy and Heretics.