[2] He is often consulted by media outlets on matters relating to celebrities, high-profile legal cases, political campaigns, book promotion, motion picture/Television publicity, and crisis management.

In 1973, Lozzi joined the Rhodes Agency, Inc, Insurance Brokers in New Jersey, a family owned multiple location company where he became Vice President of Advertising & Marketing.

His clients have included Jon Voight, Milton Berle, Larry Hagman, Debbie Reynolds,[6] Lou Ferrigno, George Barris, Buzz Aldrin, Dennis Cole, Bo Hopkons, Mamie Van Doren, Zsa Zsa Gabor,[7] Francesca Hilton[8] Oscar winner Shirley Jones, actors and Academy Award nominated screenwriters Renée Taylor & Joe Bologna, actor Ed Lauter, Director/Producer Stanley Kramer, Tina Louise, Pat Boone, author/illustrator Maurice Sendak, Jeraldine Saunders, author, nationally syndicated Astrologer's column, and creator of The Love Boat Television series, Michael King of King World Entertainment, Peter Nygard-Nygard International and actress Lana Clarkson[9] Lozzi's tribute to his twenty five-year relationship with Lana Clarkson was made public by his guest editorial in the Huffington Post.

Corporate clients have included Chasen's Restaurant and the Academy of Science Fiction, Fantasy & Horror Films' Annual Saturn Awards ceremonies, and famed attorney and founder of the American Trial Lawyers Association- Melvin Belli.

Simpson murder trial in Los Angeles, Lozzi was retained by Al Cowlings, the best friend of OJ and the driver of the infamous white Ford Bronco slow police chase seen live on worldwide TV.

At a Press Conference organized by the Lozzi firm for Al Cowlings and his criminal attorney Donald Re, an estimated 100 million viewers tuned in.

[15][16] In 2003 Lozzi and his PR company were retained by actor producer Tommy Wiseau to promote the premiere and provide a publicity campaign for The Room, which has become an international cult film classic and showing in theaters ever since.

This office plays a critical role in ensuring that events are professionally staged, well-publicized, and seamless in execution, maintaining the intended narrative and visual impact of the administration's engagements.