Ancient Egyptian deities

After the founding of the Egyptian state around 3100 BC, the authority to perform these tasks was controlled by the pharaoh, who claimed to be the gods' representative and managed the temples where the rituals were carried out.

One widely accepted definition,[4] suggested by Jan Assmann, says that a deity has a cult, is involved in some aspect of the universe, and is described in mythology or other forms of written tradition.

[29] The goddess Miket, who occasionally appeared in Egyptian texts beginning in the Middle Kingdom (c. 2055–1650 BC), may have been adopted from the religion of Nubia to the south, and a Nubian ram deity may have influenced the iconography of Amun.

[31] In Greek and Roman times, from 332 BC to the early centuries AD, deities from across the Mediterranean world were revered in Egypt, but the native gods remained, and they often absorbed the cults of these newcomers into their own worship.

[40] Despite their diverse functions, most gods had an overarching role in common: maintaining maat, the universal order that was a central principle of Egyptian religion and was itself personified as a goddess.

Most prominently, Apep was the force of chaos, constantly threatening to annihilate the order of the universe, and Set was an ambivalent member of divine society who could both fight disorder and foment it.

[46] Richard H. Wilkinson, however, argues that some texts from the late New Kingdom suggest that as beliefs about the god Amun evolved he was thought to approach omniscience and omnipresence, and to transcend the limits of the world in a way that other deities did not.

[50] Over the course of Egyptian history, they came to be regarded as fundamentally inferior members of divine society[51] and to represent the opposite of the beneficial, life-giving major gods.

Periodic occurrences were tied to events in the mythic past; the succession of each new pharaoh, for instance, reenacted Horus's accession to the throne of his father Osiris.

Some poorly understood Egyptian texts even suggest that this calamity is destined to happen—that the creator god will one day dissolve the order of the world, leaving only himself and Osiris amid the primordial chaos.

These deities stood for the plurality of all gods, as well as for their own cult centers (the major cities of Thebes, Heliopolis, and Memphis) and for many threefold sets of concepts in Egyptian religious thought.

[111] Sometimes Set, the patron god of the Nineteenth Dynasty kings[112] and the embodiment of disorder within the world, was added to this group, which emphasized a single coherent vision of the pantheon.

The cult images of gods that were the focus of temple rituals, as well as the sacred animals that represented certain deities, were believed to house divine bas in this way.

Unlike other situations for which this term is used, the Egyptian practice was not meant to fuse competing belief systems, although foreign deities could be syncretized with native ones.

Whereas, in earlier times, newly important gods were integrated into existing religious beliefs, Atenism insisted on a single understanding of the divine that excluded the traditional multiplicity of perspectives.

[144] In the early 20th century, for instance, E. A. Wallis Budge believed that Egyptian commoners were polytheistic, but knowledge of the true monotheistic nature of the religion was reserved for the elite, who wrote the wisdom literature.

[57] Jan Assmann maintains that the notion of a single deity developed slowly through the New Kingdom, beginning with a focus on Amun-Ra as the all-important sun god.

[152] For this reason, the funerary god Anubis is commonly shown in Egyptian art as a dog or jackal, a creature whose scavenging habits threaten the preservation of buried mummies, in an effort to counter this threat and employ it for protection.

Similarly, the clothes worn by anthropomorphic deities in most periods changed little from the styles used in the Old Kingdom: a kilt, false beard, and often a shirt for male gods and a long, tight-fitting dress for goddesses.

[171] Some objects associated with a specific god, like the crossed bows representing Neith (𓋋) or the emblem of Min (𓋉) symbolized the cults of those deities in Predynastic times.

[173] In the Predynastic and Early Dynastic Periods, gods were often represented by divine standards: poles topped by emblems of deities, including both animal forms and inanimate objects.

Several texts refer to gods influencing or inspiring human decisions, working through a person's "heart"—the seat of emotion and intellect in Egyptian belief.

[205] Morality in ancient Egypt was based on the concept of maat, which, when applied to human society, meant that everyone should live in an orderly way that did not interfere with the well-being of other people.

[212] Beginning in the Middle Kingdom, several texts connected the issue of evil in the world with a myth in which the creator god fights a human rebellion against his rule and then withdraws from the earth.

[221] In Roman times, when local deities of all kinds were believed to have power over the Nile inundation, processions in many communities carried temple images to the riverbanks so the gods could invoke a large and fruitful flood.

Votive offerings and personal names, many of which are theophoric, suggest that commoners felt some connection between themselves and their gods, but firm evidence of devotion to deities became visible only in the New Kingdom, reaching a peak late in that era.

[238] After the end of Egyptian rule there, the imported gods, particularly Amun and Isis, were syncretized with local deities and remained part of the religion of Nubia's independent Kingdom of Kush.

[247] In the empire's complex mix of religious traditions, Thoth was transmuted into the legendary esoteric teacher Hermes Trismegistus,[248] and Isis, who was venerated from Britain to Mesopotamia,[249] became the focus of a Greek-style mystery cult.

[244] Given the great changes and diverse influences in Egyptian culture since that time, scholars disagree about whether any modern Coptic practices are descended from those of pharaonic religion.

[253] In the late 20th century, several new religious groups going under the blanket term of Kemetism have formed based on different reconstructions of ancient Egyptian religion.

Painted relief of a seated man with green skin and tight garments, a man with the head of a jackal, and a man with the head of a falcon
The gods Osiris , Anubis , and Horus in the Tomb of Horemheb ( KV57 ) in the Valley of the Kings
Narmer , a Predynastic ruler, accompanied by men carrying the standards of various local gods
Crude stone statue of a baboon
Statue of the baboon god Hedj-Wer, inscribed with the name of king Narmer
Taweret statuette. Between 1292 and 1190 BC, New Kingdom . Museo Egizio , Turin.
Fresco of a woman with stars on her body and a red sun near her mouth
The sky goddess Nut swallows the sun, which travels through her body at night to be reborn at dawn.
Relief showing four people with varying sets of hieroglyphs on their heads
Deities personifying provinces of Egypt
Facsimile of a vignette from the Papyrus of Ani , depicting Seker-Osiris standing in a shrine.
Naunet and Nu from Deir el Medina .
Statue of a man with a crown standing between a man holding a staff and a woman with the head of a lioness
The gods Ptah and Sekhmet flank the king, who takes the role of their child, Nefertum . [ 103 ]
Relief of a man with an erection, wearing a headdress of two feathers and a disk
Amun-Ra-Kamutef, a form of Amun with the solar characteristics of Ra and the procreative powers connected with Min . [ 118 ] The solar disk on his headdress is taken from Ra, and his erect phallus comes from the iconography of Min. [ 119 ]
Bronze statue of a bearded man with multiple arms, wings, horns, and several animal heads emerging from the sides of his head
The god Bes with the attributes of many other deities. Images like this one represent the presence of a multitude of divine powers within a single being. [ 143 ]
Rough stone statue
A statue from the Late Period (664 – 332 BC) portrays four forms of Hathor: as a cow with a sun disk between her horns (above center); as a human with a headdress shaped like a sistrum (left); with a human body and a lioness's head (right); and as a rearing serpent with a woman's head (below center). [ 154 ]
Horus offers life to the pharaoh, Ramesses II . Painted limestone. Circa 1275 BC. 19th dynasty. From the small temple built by Ramses II in Abydos . Louvre museum , Paris , France.
Relief of a man with a crown holding a tray of food in front of a seated man with the head of a ram
Ramesses III presents offerings to Amun.
Statues of four seated figures in a dimly lit room
Ramesses II (second from right) with the gods Ptah, Amun, and Ra in the sanctuary of the Great Temple at Abu Simbel
Gold pendant with a figure of a child standing on a crocodile grasping snakes and gazelles
Amulet of the god Shed
A stela of Horus on the Crocodiles , showing the deity triumphing over danger. From the New Kingdom to Roman times, Egyptians drank water that had been poured over such stelae, to ingest Horus's curative power. [ 216 ]
Painted wood panel showing a woman with arms upraised toward a man with a falcon's head and a sun-disk crown. Chains of flowers-like shapes radiate from the disk toward the woman's face.
A woman worships Ra-Horakhty, who blesses her with rays of light. [ 230 ]
Greco-Roman-style sculpture of the face of a man with a beard and ram's horns
Jupiter Ammon, a combination of Amun and the Roman god Jupiter