[2] The song was first recorded by Lee Ann Womack on her 2008 album, Call Me Crazy.

[6] Some reviewers opined in the song Stapleton offers a sparsely arranged requiem for a dormant marriage, telling the painful tale of a union nearing its end.

[7][8] For Will Hermes of Rolling Stone, the ballad is set to acoustic guitar "that goes from broken whisper to chilling holler, with extravagantly curled phrasing informed, one imagines, by hours spent watching smoke plumes rise toward the ceiling.

"[5] Also in Rolling Stone, reviewer Robert Crawford wrote the studio version "doesn't differ much from that first live performance,[a] with Stapleton screaming heartbroken lyrics over acoustic guitar arpeggios.

"[10] Writing for Taste of Country, Billy Dukes commented the record "is a tremendous vocal performance that assures fans he’ll continue to be the gold standard moving forward.