Gregory Peck

[1] Gentleman's Agreement (1947) centered on topics of antisemitism, while Peck's character in Twelve O'Clock High (1949) dealt with the challenges of military leadership and post-traumatic stress disorder during World War II.

He won the Academy Award for Best Actor for his performance as Atticus Finch in To Kill a Mockingbird (1962), an adaptation of the modern classic of the same name which revolved around racial inequality, for which he received acclaim.

In 1983, he starred opposite Christopher Plummer in The Scarlet and The Black as Hugh O'Flaherty, a Catholic priest who saved thousands of escaped Allied POWs and Jewish people in Rome during the Second World War.

[21] After gaining stage recognition, Peck was offered his first film role at RKO Radio Pictures, the male lead in the war-romance Days of Glory (1944), directed by Jacques Tourneur, alongside top-billed Tamara Toumanova, a Russian-born ballerina.

[29] In Peck's second movie, The Keys of the Kingdom (1944), he plays an 80-year-old Roman Catholic priest who looks back at his undertakings during over half a century of his determined, self-sacrificing missionary work in China.

[32] Although the film finished only 27th at the box office in North America for 1944,[33] Jay Carr of Turner Classic Movies refers to it as Peck's breakthrough performance,[34] while writer Patrick McGilligan says that it "catapulted him to stardom".

[37] Craig Butler of AllMovie states "he gives a commanding performance, full of his usual quiet dignity and intelligence, and spiked with stubbornness and an inner fire that make the character truly come alive.

"[38] In The Valley of Decision (1945), a romantic drama about intermingling social classes, Peck plays the eldest son of a wealthy steel mill owner in 1870s Pittsburgh who has a romance with one of his family's maids, portrayed by Greer Garson.

[32][51] In The Yearling (1946),[22] Peck portrays a kind-hearted father, opposite onscreen wife, Jane Wyman, whose son finds and insists on raising a three-day-old fawn in 1870s Florida.

[60] Joseph Cotten starred as Peck's righteous half brother and competitor for the affections of the "steamy, sexpot" character of Jones;[61] the movie was resoundingly criticized and even banned in some cities due to its lurid nature.

[p] Writers Paul Condon and Jim Sangster stated that "Peck is vulnerable yet believable in a role that requires significant delicacy of touch to maintain viewer's loyalty and interest.

Based on true events, Peck portrays the new commander of a “hard luck” U.S. World War II bomber group tasked with instilling discipline and pride into the pilots and crews.

[14] The New York Times wrote, "through Mr. Peck's fine performance, a fair comprehension is conveyed of the loneliness and the isolation of a man with a lurid name ... an arresting and quite exciting film.

[136] The plot of the film is listed as "an unpopular, strict leader gathers together a rag-tag group of men and leads them on an extremely dangerous mission, turning them into a well-oiled fighting machine by the end and earning respect along the way.

[194][195][196][al] Adrian Turner of the Radio Times praised it as a "lovely comedy" which "has a lot of charm and gentle humor, owing to Peck's evident delight in the role and the unobtrusive direction" adding it has a "witty script".

Peck next starred as Captain Ahab in the 1956 film adaptation of Herman Melville's Moby Dick; he was unsure about his suitability for the part but was persuaded by director John Huston to take the role.

"[228] For romantic comedy Designing Woman (1957), Peck was permitted to choose his leading lady, Lauren Bacall, who needed to be busy with work as her husband was gravely ill at the time.

[233][ao] In recent years, the few reviews from prominent critics or websites are generally positive[ap] with TV Guide exclaiming "they've made ... the famous stoneface ... Peck, somewhat funny.

[251][14][252][253] At the time of release, reviews for The Big Country were mixed regarding the producers' prioritization of characterization versus technical filmmaking; opinions on Peck's performance were also disparate.

[261] Peck portrays a lieutenant during the Korean War who is ordered to use his infantry company to take the strategically insignificant Pork Chop Hill, as its capture would strengthen the U.S.'s position in the almost-complete armistice negotiations.

[269] Crowther assessed it as "generally flat and uninteresting" with a "postured performance of Gregory Peck ... his grim-faced, monotony as a washout is relieved in a couple of critical scenes by some staggering and bawling as a drunkard, but that is hardly enough.

Directed by Stanley Kramer and based on Nevil Shute's best-selling book, it shows the last months of several people in Melbourne, Australia as they await the onset of radioactive fallout from nuclear bombs.

[276] Peck portrays a U.S. submarine commander who has brought his crew to Australia from the North Pacific Ocean after nuclear bombs had been detonated in the northern hemisphere, who eventually romances Gardner's character.

[284] A J. Lee Thompson-directed World War II drama, it depicts Peck's six-man commando team, which includes David Niven and Anthony Quinn undertaking a mission to destroy two seemingly impregnable German-controlled artillery guns on Navarone Island.

He also starred with Christopher Plummer, John Gielgud, and Barbara Bouchet in the television film The Scarlet and the Black, about Monsignor Hugh O'Flaherty, a real-life Catholic priest in the Vatican who smuggled Jews and other refugees away from the Nazis during World War II.

[334] In 1978, Peck traveled to Alabama, the setting of To Kill a Mockingbird, to campaign for Democratic U.S. Senate nominee Donald W. Stewart of Anniston, who defeated the Republican candidate, James D. Martin, a former U.S. representative from Gadsden.

"[342][343][341] On New Year's Eve in 1955, the day after his divorce was final, Peck married Véronique Passani (1932–2012),[344] a Paris news reporter who had interviewed him in 1952 before he went to Italy to film Roman Holiday.

[355][356] Celebrities who attended Peck's funeral included Lauren Bacall, Sidney Poitier, Harry Belafonte, Shari Belafonte, Harrison Ford, Calista Flockhart, Mike Farrell, Shelley Fabares, Jimmy Smits, Louis Jourdan, Dyan Cannon, Stephanie Zimbalist, Michael York, Angie Dickinson, Larry Gelbart, Michael Jackson, Anjelica Huston, Lionel Richie, Louise Fletcher, Tony Danza, and Piper Laurie.

According to the American Film Institute, the Academy of Motion Picture Arts and Sciences, and the Hollywood Foreign Press Association, Peck's most significant works include Days of Glory (1944), The Keys of the Kingdom (1945), Spellbound (1945), The Yearling (1946), Gentleman's Agreement (1947), Twelve O'Clock High (1949), The Gunfighter (1950), The Snows of Kilimanjaro (1952), Roman Holiday (1953), The Big Country (1958), Moby Dick (1956), Designing Woman (1957), The Guns of Navarone (1961), Cape Fear (1962), To Kill a Mockingbird (1962), Arabesque (1966), Mackenna's Gold (1969), The Omen (1976) and Old Gringo (1989).

[8][364] Peck received five total Academy Award nominations for The Keys of the Kingdom (1945), The Yearling (1946), Gentleman's Agreement (1947) and Twelve O'Clock High (1949) before winning Best Actor for his performance in To Kill a Mockingbird (1962).

Peck (right) with his father, c. 1930
Gregory Peck in 1939
Peck in his film debut Days of Glory (1944)
Peck and co-star Ingrid Bergman in the film Spellbound (1945)
Peck in the film Yellow Sky (1949)
Peck alongside co-star Susan Hayward in David and Bathsheba
Peck greets his admirers at the Helsinki Airport in January 1953
Peck and Audrey Hepburn in a promotional still for Roman Holiday (1953)
Peck with Jennifer Jones in a film still for The Man in the Gray Flannel Suit (1956)
Peck and Lauren Bacall in the film Designing Woman (1957)
Peck and Joan Collins in The Bravados (1958)
Peck in a publicity still for On the Beach (1959)
Peck with Deputy Mayor of Boston Henry Scagnoli c. 1968
Peck's star on the Hollywood Walk of Fame