She and her family were also involved in controversial national campaigns, including the Scottsboro Boys Defense Fund which sought to free nine black men who were still incarcerated after the Supreme Court of the United States reversed their convictions for rape twice.
Where their social circle included photographer Edward Weston, poet Robinson Jeffers, philosopher/mythologist Joseph Campbell, nutritionist/author Adelle Davis, short story writer/poet Clark Ashton Smith, marine biologist/ecologist Ed Ricketts, Nobel prize winner Sinclair Lewis, and novelists John Steinbeck and Henry Miller.
[5] Ella loved publicity and when two Carmel reactionaries, artist William Silva and writer/editor Perry Newberry, tried to ban her local chapter of the communist-affiliated John Reed Club as well as her "socialist reading room", she made sure that the press as far away as Los Angeles was apprised of the violation of her civil rights.
[6][7] The Steffens's also joined controversial national campaigns, including the Scottsboro Boys Defense Fund which sought to free nine black men who were still incarcerated after the Supreme Court of the United States twice reversed their convictions for rape.
Spearheaded by Ella Winter and Steffens in 1928, The Carmelite swiftly gained recognition for its unique perspective on art, establishing itself as one of California's most contentious periodicals.
[5] The Carmel Colony was sharply divided between conservative and liberal factions; the latter quickly coalesced around the Steffenses, who publicly debated the most controversial topics.
[10][11] With contributions by numerous leftist literati, including Jeffers, Martin Flavin, Lewis and the Steffenses, along with theater, dance and art reviews by feminist artists such as Alberta Spratt, Jennie V. Cannon, and Roberta Balfour, The Carmelite became one of California’s most controversial publications.
Ella wrote on various topics and once reported on the very unusual meeting between the popular Modernist artists John O’Shea and Frederick O’Brien.