Elliot Davis (cinematographer)

He also would act as the camera operator for various films, including Francis Ford Coppola's The Outsiders and Joel Schumacher's St. Elmo's Fire.

Davis would collaborate frequently with several directors, including Steven Soderbergh (King of the Hill, The Underneath, Gray's Anatomy, Out of Sight), Catherine Hardwicke (Thirteen, Lords of Dogtown, The Nativity Story, Twilight), and Jessie Nelson (I Am Sam, Love the Coopers).

Davis was not familiar with Parker prior to receiving the script, but soon forged a creative connection with him, using films such as The Assassination of Jesse James by the Coward Robert Ford as influence for the look of Nation.

[3] Additional works include The Cutting Edge, Father of the Bride Part II, Equinox, Larger than Life, Forces of Nature, 40 Days and 40 Nights, White Oleander, Legally Blonde 2: Red, White & Blonde, A Love Song for Bobby Long, The Iron Lady, Man of Tai Chi and the upcoming Above Suspicion.

For his work on Equinox and The Underneath, Davis received two nominations for the Independent Spirit Award for Best Cinematography.