Three years later, on 10 February 1849, she married Second Lieutenant (later Captain), Mathias Eduard Nepalleck (1815–1873), who served in the local 2nd Hungarian Infantry Regiment.
[2] In the spring of 1864, barely twenty-two years old, he exhibited publicly in Vienna for the first time, and sold his first painting, "Eine Waldschmiede" (A Forest Blacksmith) for 350 florins.
The following year, however, he was preparing an amateur performance of Lenardo and Blandine, an opera by Franz Mögele (1834-1907) when his half-sister Alexandrine, who had the leading role, was suddenly taken ill and Schindler asked Passy-Cornet to find a stand-in.
After six performances in the title role of Die Wallfahrt der Königin (The Queen's Pilgrimage) a comic opera by Josef Forster, she suddenly retired, either because Schindler strongly opposed her public appearances out of jealousy or because she was pregnant.
This was apparently resolved but, in an unpublished manuscript by Alma, Der schimmernde Weg (The Shimmering Road) she claims that Berger was Grete's real father.
Two years later (1887), he received a commission from Rudolf, Crown Prince of Austria to sketch the coastal scenery in Dalmatia and on the island of Corfu, as part of a grand project called The Austro-Hungarian Monarchy in Word and Picture.
Schindler adored his two daughters, and at an early age, arranged for piano lessons with Adele Radnitzky-Mandlick [de], who taught them for several years.
He also made certain they received a full education, which was not common practice at the time, and sent them to a private women's academy after becoming displeased with the public schools.
He also tried his hand at writing, producing a five act verse drama entitled Anna (1890, not about his wife), which was never published, and art criticism under the pen name "Justus".
According to contemporary newspaper reports, Schindler died at 2 p.m. on August 9, 1892, only five days after his arrival to Sylt, in great pain but fully conscious.
An auction of his paintings at the beginning of December 1892, arranged by Carl Moll and the art dealer, Hugo Othmar Miethke (1834-1911), produced a net profit of ca.
[2] The original tombstone by Hellmer was probably destroyed by bombs in 1945 and later replaced by a plain headstone that only bears Schindler's names, but not his life dates.
In 1912, Moll, who was now director of the Galerie Miethke in Vienna, held their first solo exhibition of Schindler's paintings, to commemorate the 20th anniversary of his death.