[2] She has exhibited at QSO Lens, CAC Contemporary Art Centre, Vilnius (2015); Extended Phenotypes (Viafarini, Milan, 2016); Mirror Matter, Künstlerhaus Bethanien (Berlin, 2017); and Manifold (Podium, Oslo, 2017).
[7] In discussing her work with Nadim Samman of Vdrome in December 2018, Škarnulytė said "In my films from the last ten years, I have mostly researched places where contemporary political issues are staged between human and non-human worlds, the shifting boundaries between ecological and cosmic forces.
[10] Discussing this work on exhibition at the Kadist in the San Francisco Chronicle, art critic Charles Desmarais wrote, "Emilija Škarnulytė follows a blind woman through a park populated by ghostly stone remnants of the Soviet era in Lithuania.
[14] The PinchukArtCentre in Kyiv, Ukraine, named Emilija Škarnulytė the winner of its 2019 Future Generation Art Prize, which recognizes one artist age 35 or younger roughly every other year.
Shown in a room with a mirrored ceiling, the video includes 3D scans that allude to architectural structures found at a nuclear power plant in Lithuania and a neutrino observatory in Japan, among other locations.