(2006), Despite the Snow (2008), Almanac (2011), Dear River (2013), before commencing a solo career with The Toerag Sessions (2015), Sweet Kind of Blue (2017), A Dark Murmuration of Words (2020), and Flight Path Rhymes (2021).
Other projects include Vena Portae (with Dom Coyote and Ruben Engzell), Applewood Road (with Amy Speace and Amber Rubarth), and Room 822 (2022) with Lukas Drinkwater.
The release of this album saw the birth of The Red Clay Halo, an all-female trio of Anna Jenkins (violin, viola), Jo Silverston (cello, bass, banjo, saw), and Gill Sandell (accordion, piano, flute, guitar).
[citation needed] The band's first album released under the name Emily Barker & The Red Clay Halo, Despite The Snow, was recorded in live sessions in a 16th-century barn in Norfolk.
In late 2008, the album's opening track "Nostalgia" was discovered by composer Martin Phipps who re-recorded it with Emily for use as the theme tune for the hit television series Wallander on BBC1 starring Northern Irish actor Kenneth Branagh.
[8] The song "Pause" from Almanac was the theme tune for a major 2011 BBC2 drama serial, The Shadow Line, starring Chiwetel Ejiofor and Christopher Eccleston.
; on this version, the male vocal part was sung by Frank Turner and was released as a limited 7" white vinyl on Xtra Mile Recordings.
[18] Emily Barker & The Red Clay Halo released a special limited edition 10" vinyl EP for Record Store Day on 19 April 2014.
[23] In an interview with Bernard Zuel, Emily Barker elaborated upon her intentions, with the album: “It was really a response to a lot of what was going on in 2019 with the collective awakening of the environmental crisis.
It’s something that I’d been aware of before, and I was brought up by parents who were very conscious of that anyway, but I think a lot of people really looked at the personal impact in a big way and started realising the scale of this emergency.
[24] Emily Barker also covered a Billy Bragg song, 'Can't Be There Today', in 2020 as part of a campaign to save musical venues during the COVID-19 crisis.
She discussed the reworking of the album: Recording A Dark Murmuration of Words was a wonderful immersive experience that involved my live band and multiple conversations with producer Greg Freeman.