[1][2] From mid-1980s to early 1990s he was in a variety of avant-garde groups including Godzila in the Mist, an industrial music band, which used "the noise of chainsaws and angle grinders.
The latter track was entered in the Unearthed talent competition run by national radio station, Triple J.
[2] David Peter Wesolowski of AllMusic described it as "chilled out" and noticed that it "grabbed plenty of critical praise but was also a commercial success in Australia.
[3] The artist supported the Australian legs of tours by Portishead (April 1998), Massive Attack (June), Faithless and then Moby.
It certainly offers a decent range of sounds, including sultry female vocals, exotic samples, hypnotic trip-hop arrangements, and brooding basslines.
[7] Jasper Lee of Oz Music Project felt that "perhaps a more darker and intense core is needed to give Endorphin that extra edge" as the album showed "ground covered too many times and a style that is a tad bit boring and unoriginal.
"[10] Guest vocalists include Luke Hannigan (of Lo-Tel), Jimmy Little, Abi Tucker (The Secret Life of Us) and Caroline Wilson (Kinetic); Endorphin co-produced it with Daniel Denholm.
It was album of the week from 9 June for ABC radio station, Gold and Tweed Coasts, because he "fuses his signature electronica sounds with new musical collaborations with live musicians and singers".
[13] For the album he used Iva Davies, Jade Macrae, the Martinez Brothers and Sarah McGregor.
[13] Indy Lin of InTheMix opined that it shows "brilliant use of live instruments and vocals harmoniously woven into Endorphin's signature beats.