[10][11] The Brazilian Brooklin News noted on the exhibition of this project that "Enrico Scotta captured the attention of everyone, collectors and critics, for the perfection of his technique and his inventive spirit.
This cycle of paintings uses the female goddess to symbolise the generative power of the Universe,[17] which Scotta stated as, "La femminilità è l'espressione divina della creazione universale."
")[18] Scotta created his own mythical cosmos using recurring archetypal symbols and images that echoed across history, such as the "Great Earth Mother", priestesses, the Uroboros, the phoenix, the tree of life, the moon, fertility goddesses, water creatures and hermaphrodites.
[44] It examines the evolution of an iconic architectural monument throughout its creation from sand to stone to sandstone, and the cycle of construction, destruction and reconstruction, using canvases to highlight the Frauenkirche as materially, historically and culturally connected to other heritage sites.
"[46][better source needed] Scotta and his work have been the focus of various bi-cultural Italian events organised by the Società Dante Alighieri in cities such as Weimar[47][48][49][50] and Potsdam.
[52][53][54] Scotta's cultural and social commitment is evident in a series of charitable art projects he has organised to raise money for victims of the 1980 Irpinia earthquake[55] and for the reconstruction of the Frauenkirche.