[1][2][3] The Allmusic review by Thom Jurek stated "This performance of "Composition 187" by an 11-piece ensemble is an attempt by the composer -- who also performs -- to erect a sound sculpture along contructivist principles regarding time and space.

How this comes off to the listener is as a series of long repetitive phrases by the reeds and winds and a series of contrapuntal responses by strings and percussion entwined in a third harmonic equation by the entire ensemble tonally as the piece goes on.

Members begin to break off into smaller groupings until the theme itself has transmuted into another tonal dimension and becomes a fragmentary element in the sonic construction of musical terms and their relationship to the time/space continuum.

The intervallic structure alone is a dynamism that turns back the notion that interval is merely a device for enhancing or restricting improvisation.

Braxton makes it an end in and of itself with a host of instruments creating the necessary shifts for intervallic invention mutate from one to another without seam or stitch.