Originally influenced by hardstyle artists such as Alphaverb, Showtek, and Evil Activities, Leusink has used the digital audio workstation FL Studio to produce his music.

The album received mixed to positive reviews, with Jade Royal of Sputnikmusic giving the EP a 3.5 out of 5 rating, stating "It's a thin line that Ephixa treads with 'Zelda Step', but one that ultimately pleases more than disdains".

[7] On September 19, 2011, Leusink released his dubstep remix of the song "Sanctuary", originally by English trance producer Gareth Emery.

When reviewing the extended play, a writer for DJ Mag commented on Leusink's remix, stating that he had gone for a "twitchy, spasmodic bit of dubstep-ery, which is ok, of the type".

[9] On August 3, 2012, Leusink released "Awesome To The Max", which the Your EDM staff described as "heavy but laid back, and a gift for fans of dubstep and Monstercat alike".

[12] On January 17, 2013, Leusink released "Unraveled Reality", which Steve Jacobs of EDM Sauce wrote that the track "offers a bit of a soothing feel along with some big drum sounds".

During a Reddit AMA, The Monstercat staff were questioned about what happened to Leusink, which they answered:"Ephixa, as an artist, took some time off to focus on other projects and his personal life.

EDMTunes' James Brannigan noted the song for its minimalist trance progression, later writing that as soon as "the drop hits, Ephixa brings back the sound he used to win all of our hearts with as he did in his dubstep remix of 'Song of Storms'".

[14] On February 5, 2015, Leusink released his remix of American electronic producer Dex Arson's song "Machina" as part of the latter's extended play Welcome to War.

[15] Matthew Meadow of Your EDM wrote that Luesink had transformed the original song into a "genre-hopping, deep and rumbling tune bound to blow your speakers", later stating that the synths used were "wonderfully bubbly and sinister at the same time, allowing for an extremely diverse and layered track, just the kind of thing I live for".

[20][21] Billie-Darian Hollyhead of Playing With Sound called the song a "beautiful progressive house track", noting Brehms' vocals as "truly stunning as they lay on top of the oscillating beats".

Writing for Your EDM, Landon Fleury wrote about the song's influences from various electronic dance music genres including chiptune, synthwave, bass house, and trap, stating that the song "sees Ephixa turning back to the heavier-leaning sound his musical career was founded on, diving into electro at full power" and concluding his review by writing "Simply said, it’s a variety of different sounds and styles that somehow fit together perfectly in the end".

[35] On July 1, Leusink collaborated with Canadian DJ and Producer Going Quantum to release the drum and bass song "Let's Roll.

[37] On November 17, 2020, Animated electronic music duo Half an Orange released their extended play Mostly We Grow Pt.