Eric Hebborn

He stated that at the age of eight, he set fire to his school, and was sent to Longmoor reformatory in Harold Wood; his sister Rosemary disputes this.

[citation needed] Teachers encouraged his painting talent, and he became connected to the Maldon Art Club, where he first exhibited at the age of 15.

When contemporary critics did not seem to appreciate his own paintings, Hebborn began to copy the style of old masters such as: Corot, Castiglione, Mantegna, Van Dyck, Poussin, Ghisi, Tiepolo, Rubens, Jan Breughel and Piranesi.

In 1978 a curator at the National Gallery of Art in Washington DC, Konrad Oberhuber, was examining a pair of drawings he had purchased for the museum from Colnaghi, an established and reputable old-master dealer in London: one by Savelli Sperandio and the other by Francesco del Cossa.

[4] Colnaghi waited a full eighteen months before revealing the deception to the media, and even then never mentioned Hebborn's name, for fear of a libel suit.

[7] In 1984 Hebborn admitted to a number of forgeries – and feeling as though he had done nothing wrong, he used the press generated by his confession to denigrate the art world.

He spoke openly about his ability to deceive supposed art experts who (for the most part) were all too eager to play along with the ruse for the sake of profit.

On one page he offers a side-by-side comparison of his forgeries of Henri Leroy by Jean-Baptiste-Camille Corot, and the authentic drawing, challenging "art experts" to tell them apart.

[5] On 8 January 1996, shortly after the publication of the Italian edition of his book The Art Forger's Handbook, Eric Hebborn was found lying in a street in Rome, having suffered massive head trauma possibly delivered by a blunt instrument.

[9] Although the identity of the successful purchaser of The Language of Line remains unknown, and no further copies are thought to have been in existence, Hebborn's former agent Brian Balfour-Oatts allowed The Guardian to have sight of the manuscript, which had been sent to him by a friend of the artist.