[1][2] Boetticher called it a "nothing" picture, though he enjoyed working with Nina Foch and Otto Kruger.

[3] During World War II, a San Francisco nurse dreams of a murder and then meets the "victim" in real life.

Film critic Jeremy Arnold gave the film a mixed review, writing "Although Wright and Foch have the most screen time, top billing goes to Otto Kruger, the immensely enjoyable character actor who specialized in charming, urbane villains.

William Wright was an unremarkable actor who appeared almost entirely in B movies in a 45-film career that spanned the 1940s.

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