He and initial artist David Lloyd undertook considerable research ahead of the series to ensure the needed level of accuracy and realism; Hudnall also eschewed codenames or costumes for the characters.

[4] However, only one issue - #5 - was published before the title was put on hiatus,[5] a decision that Hudnall himself attributed to disappointing sales and to an unspecified dispute between Eclipse and himself.

[6] The series languished in limbo until 1989, when Hudnall struck a deal with Marvel's Epic Comics imprint, where eight issues were published under the title Interface from 1989 to 1991.

The first six issues of that series, featuring painted art by Paul Johnson, re-introduced the main characters and re-told the first story arc in flashback form, before picking up the "Liquidators" storyline.

Five Espers from around the world are gathered by Linda Williams in an ultimately unsuccessful attempt to rescue her father from Beirut, where he is being held hostage by terrorists working for the Inner Circle.

Williams and her allies come under simultaneous (but separate) attack from super assassins hired by the Inner Circle and by the forces of mafia crime lord Benito Giovanetti (revealed to be the man behind the grassy Knoll).

The struggle culminates in a final battle at an Inner Circle headquarters hidden in plain sight at Walt Disney World in Florida.

The Espers come under attack by the occult branch of the Architects called The Pentacle while trying to stop the Architects' master plan to turn the United States Navy's High Frequency Active Aural Research Project (HAARP) - an array of antennae pumping high doses of energy into the ionosphere turning it into a transmitter blanketing the Earth - into the most powerful mind control device on the planet.

Reviewing the title for Amazing Heroes, Gerard Jones had mixed feelings - praising Hudnall's ambitions and ideas but noting that the minimalist style left the series wanting in characterisation.