"Estadio Chile", or "Somos Cinco Mil", is the common name of an untitled poem and song credited to Víctor Jara and penned in the days prior to his death.

[1] The "manifesto" survived through both the detainees who memorized the song and the scraps of paper containing Jara's handwritten lyrics.

[1] Jara's wife, Joan, presented her research into her husband's final days in her essays[3] and 1984 memoir An Unfinished Song.

[5] Naín Nómez placed the poem as the first in a series of semi-anonymous works distributed by hand and designed to challenge the new Chilean state of affairs after the 1973 coup.

[7] In Resisting Alienation, Christopher Michael Travis writes that the poem "poignantly understates the effect of 'Auschwitz' on artistic expression".