[6] Lynn Gunn described the album as "a reclamation of control in our post-pandemic culture, posing a complex discussion on fame, technology, spectacle, and female autonomy", also elaborating that it is "not [her] job to cater to certain trends or people's nostalgia" and she has to "always embrace the risks of change and trust that each stage of [her] music's life will resonate with whoever it's meant to".

[8] AllMusic's Neil Z. Yeung felt that Lyndsey Gunnulfsen's "evolution continues, building upon the promise of 2020's Use Me while laser-focusing her attack with equal parts melody and sheer force", as an "ineffably angst-packed energy surges through the front half of this set".

[11] DIY's Emma Wilkes noted that Evergreen "generally favours chunkier, harder sounds over intricacy, particularly where its maximalist-leaning production is concerned, to the extent that it feels like a thick, silvery fog hangs over most of its songs".

Not only a queer champion, Gunnulfsen is a top-notch creator and performer who can back it up with grade-A material with startling philosophical depth amidst the beats and hooks."

[1] Jesper L. of Sputnikmusic stated that "the bulk of Evergreen does little more than yeeting a distorted riff at you, copy-pasting vocal melodies on top and subsequently repeating a few lines by way of a chorus" and concluded, "none of the songs here are particularly memorable or uh, good".