[3] Many returning producers and collaborators joined the band's efforts including Rik Simpson, Dan Green, Bill Rahko, Davide Rossi, and Emily Lazar.

[4][5] Speculation about the album's existence persisted since their previous record, A Head Full of Dreams, as rumours circulated that Coldplay would disband.

[7] Everyday Life received generally positive reviews from music critics, who praised its experimental direction, the shift to politically charged lyrics, and varied song styles in contrast to their old roots with albums like Parachutes and Viva la Vida or Death and All His Friends.

Therefore, Dan Green created a mobile studio, inspired from jam sessions during their previous world tour, to be set up in various international locations.

Travelling around the globe is reflected in the experimental mix of genre influences present on the record including classical, afrobeat, jazz-fusion, etc.

[18] When compared to previous albums released by the band, the lyrics make a stark contrast: even though it still showcases many themes of positivity, equality, unity, hope, legacy, the importance of emotions, and humanity, it also includes racism, police brutality, gun control, loss and pain, plus references of war in terrorism-inflicted countries.

"On 13 October 2019, black-and-white posters featuring the band teasing the album, and the date "22 November 1919" appeared in various cities around the world, including São Paulo, Berlin, Hong Kong and Sydney.

[23] dear friends / my typing isn't very good i'm sorry / I and we hope wherever you are you're ok / for the last 100 years or thereabouts we have been working on a thing called Everyday Life / in the classifieds you might write 'double album for sale, one very careful owner' / one half is called 'sunrise', the other 'sunset' / it comes out 22 november / it is sort of how we feel about things / we send much love to you from hibernation /سلام و حب / chris, jonny, guy and Will Champion, esq.On 23 October, the track listing was announced by the band in the advertising sections of several newspapers around the world.

[24] The 19 November edition of the New Zealand newspaper Otago Daily Times featured advertisements containing lyrics to the tracks from the album.

However, the band announced that they would not play a world tour to promote the album until they had addressed concerns regarding travel and the environmental impact of the shows.

[43] Writing for The Daily Telegraph, Neil McCormick acclaimed the album's experimentation, stating that Everyday Life "feels organic, analogue and playful as Coldplay dip into different musical genres", and further highlighted Martin's "golden gift for melody, almost simplistically direct lyrics and emotive crooning".

[46] Chris DeVille of Stereogum considered that the use of multiple genres worked "more often than not", and commended the band's "more nuanced" exploration of social issues, concluding that it was a "truly great album".

[8] In her review for NME, Charlotte Krol claimed that the record "is proof that Coldplay are more adventurous than they're often given credit for", although some of its songs are "sometimes more exciting in theory than in practice".

Although The Guardian's Alexis Petridis considered it a "laudable intention", he found the album "wildly uneven" and was critical of the "lyrical vagueness" of various songs dealing with "sociopolitical matters", but complimented "a couple of acoustic tracks with genuine emotional heft".

[52] Everyday Life debuted at number-one on the UK Albums Chart with 80,974 units sold, becoming Coldplay's eighth consecutive studio album to achieve the feat and the third-fastest selling record of the year in the United Kingdom, behind Ed Sheeran's No.6 Collaborations Project and Lewis Capaldi's Divinely Uninspired to a Hellish Extent.