While Sana and Hans appear to be the perfect, thriving couple, they quickly prove to be obnoxious, bland, and vapid.

The atmosphere becomes uncomfortable when Gitti runs into the bohemian couple she had previously met; they are put off by her new, put-together appearance and are somewhat hurt that she had stood them up.

Gitti makes an effort to tone down her appearance and mannerisms for the dinner with Hans and Sana, but it nevertheless becomes awkward as Chris starts behaving oddly in an attempt to impress the other couple.

Gitti becomes more uncomfortable when Chris takes them into his mother's private dream room and mocks her interests for Hans and Sana's amusement.

At first worried, and then upset by her games, Chris resolves to make things work and let his guard down.

The website's consensus reads: "Alle Anderen (Everyone Else) taps into the unpredictable energy between two couples to throw finely detailed - and richly rewarding - sparks of emotional truth.

"[3] Metacritic, which uses a weighted average, assigned the film a score of 71 out of 100, based on 16 critics, indicating "generally favorable" reviews.