Miriam invites her friends Cassy (Laurel Casillo), Mark (Morgan Hooper), Tanya (Torrey Weiss) and Leo (Ryan Maslyn) to join her to celebrate.
As an aspiring filmmaker, Leo brings his new video camera, hoping to create a short documentary of the weekend getaway.
Whilst looking for a place to pull over because Tanya is carsick, the group notice they are being bothered by a dark red van whose driver incessantly honks his horn at them and overtakes them only to slow down in front of them.
They stop at a small gas station where Cassy notices a dark red van pull in and slow down.
They hear noises that they can't identify, crackling sounds on their two-way-radio and branches snapping which scares them all into running.
Then a knock at the door is heard and Mark finds a video tape wrapped in brown paper on the front step.
Leo gives the camera to Tanya and leads the way out, but once outside he sees something that makes him scream at the others to run back inside.
The van turns on its lights and creeps along to follow her, before stopping - the stalker then gets out and chases a screaming Miriam into the woods.
During the end credits the video of the stalker's movements are shown from the moment he first spotted the group on the highway, following them to the house and filming them through the windows as they sleep.
It had its British premiere on August 29, 2009, in Leicester Square as part of Channel 4's London FrightFest Film Festival.
BlogCritics made note that the film's elements were "reminiscent of Spielberg's debut Duel as well as the likes of Jeepers Creepers, Blair Witch Project, and Paranormal Activity, and while the film's concept was not original, it "is a well executed low-budget thriller," with the reviewer remarking that "the biggest complaint I have about it is that it feels a tad long with too little actually happening.
"[1] Dread Central wrote that while it was another "found footage film", after speaking with him, they were willing to give director Dominic Perez the benefit of the doubt.
The website concluded that the film "offers an interesting end in the form of the killers' point of view, but the nifty convention is ultimately lost in the mediocrity that came before it.
[8] Action Flick Chick wrote that the film was a "slow starter", but that the "ending does give you a little bit of a creep out factor, though.