Gundlach also organized exhibitions from his own collections including A Clear Vision, The Heartbeat of Fashion and Maloney, Meyerowitz, Shore, Sternfeld: New Color Photography of the 1970s.

Subsequently, he began publishing theatre and film reports in magazines such as Deutsche Illustrierte, Stern, Quick and Revue as a freelance photographer.

For Film und Frau, but also for Stern, Annabelle, Twen and other magazines, Gundlach made fashion and reportage trips to the Near, Middle and Far East as well as to Central and South America.

For this reason, he rarely presented the phenomena of fashion in isolation, but rather linked them to the phenomenology of everyday reality and placed them in the socio-cultural context from which they ultimately originated.

(Professional Photo Service) with black and white and colour laboratories, equipment shop, rental studios and a specialist bookshop.

The artists included Irving Penn and Richard Avedon, Joel-Peter Witkin and Robert Mapplethorpe, Martin Kippenberger and Albert Oehlen, Nan Goldin and Wolfgang Tillmans.

The F. C. Gundlach collection attaches special importance to those photographic works that open up new perspectives on human dignity and vulnerability beyond their historical status as visual documents.

A focal point of the collection are therefore photographs that reflect the image of man in his external appearance – in fashions, poses, facial expressions and gestures.