According to Neale "This arrangement, necessary to secure the required number of windows, somewhat injures the effect of the exterior, and makes the distinction between chancel and nave less marked than might have been wished".

The chancel is furnished with fourteen elaborate misereres, and a rood-screen, and lateral parcloses of exquisite design and in remarkable preservation.

The whole floor is paved in chequers of blue and white marble; and the roof of every part is excellently carved wood, with good corbels both for the principal and secondary rafters.

That on the western side is charged with the arms of Tame; that on the north bears: Quarterly, first and fourth, a bend; second and third, a fret (Despencer, Earl of Gloucester).

According to some sources, John Thornton of Coventry and Galyon Hone were also associated with the Netherlandish Renaissance painted glass at this church.

[7] The glass survived the destruction that was common during the Reformation and the English Civil War in a more complete state than at any other parish church in England.

On the ledger stone on top of the chest tomb are various monumental brasses, set into the slab, the main ones showing John Tame and his wife standing facing each other.

[13] The shields were originally enamelled in colours, but few traces remain: the dragon, however, is clearly vert, and his tongue gules.