Performance of the fanfare on modern valved instruments remains the norm and does not lessen the effect: the parts still feel like natural trumpet lines.
These are not only separated from each other in key but also in style: although they all include some long notes at phrase ends, overall one is a bouncy 6/8, one a martial-sounding, bold statement, and one a series of smooth arpeggios.
As the last playthrough progresses it gradually dawns on the listener that a unity is emerging from the chaos as the long notes start to settle and overlap: by the last few bars the three trumpets are playing triumphant block chords together.
[3] Many recordings are available, but nearly always on compilations of modern brass or fanfare music – the piece is so short that it almost never receives separate billing.
Recordings have been made by the Philip Jones Brass Ensemble and similar groups.