File sharing is the practice of distributing or providing access to digital media, such as computer programs, multimedia (audio, images and video), documents or electronic books.
Computers were able to access remote files using filesystem mounting, bulletin board systems (1978), Usenet (1979), and FTP servers (1970's).
Until its decline in 2004, Kazaa was the most popular file-sharing program despite bundled malware and legal battles in the Netherlands, Australia, and the United States.
[citation needed] On January 19, 2012, the United States Department of Justice shut down the popular domain of Megaupload (established 2005).
Files placed in this folder also are typically accessible through a website and mobile app and can be easily shared with other users for viewing or collaboration.
[25] According to a CBS News poll in 2009, 58% of Americans who follow the file-sharing issue, considered it acceptable "if a person owns the music CD and shares it with a limited number of friends and acquaintances"; with 18- to 29-year-olds, this percentage reached as much as 70%.
[26] In his survey of file-sharing culture, Caraway (2012) noted that 74.4% of participants believed musicians should accept file sharing as a means for promotion and distribution.
[28][29] According to David Glenn, writing in The Chronicle of Higher Education, "A majority of economic studies have concluded that file-sharing hurts sales".
[30] A literature review by Professor Peter Tschmuck found 22 independent studies on the effects of music file sharing.
"Of these 22 studies, 14 – roughly two-thirds – conclude that unauthorized downloads have a 'negative or even highly negative impact' on recorded music sales.
"[31][32] A study by economists Felix Oberholzer-Gee and Koleman Strumpf in 2004 concluded that music file sharing's effect on sales was "statistically indistinguishable from zero".
[33][34] This research was disputed by other economists, most notably Stan Liebowitz, who said Oberholzer-Gee and Strumpf had made multiple assumptions about the music industry "that are just not correct.
"[33][35] In June 2010, Billboard reported that Oberholzer-Gee and Strumpf had "changed their minds", now finding "no more than 20% of the recent decline in sales is due to sharing".
"[37] Glenn Peoples of Billboard disputed the underlying data, saying "SoundScan's number for new releases in any given year represents new commercial titles, not necessarily new creative works.
[40] The results of this survey were similarly criticized by academics and a subsequent revaluation of the same data by George R. Barker of the Australian National University reached the opposite conclusion.
According to Robert G. Hammond of North Carolina State University, an album that leaked one month early would see a modest increase in sales.
"[45]Billboard cautioned that this research looked only at the pre-release period and not continuous file sharing following a release date.
Implicit in the study is the fact that both buyers and sellers are required in order for pre-release file sharing to have a positive impact on album sales.
"[46] Many argue that file-sharing has forced the owners of entertainment content to make it more widely available legally through fees or advertising on-demand on the internet.
For example, in MGM v. Grokster, the Supreme Court ruled that the creators of P2P networks can be held liable if their software is marketed as a tool for copyright infringement.
For example, some artists, publishers, and record labels grant the public a license for unlimited distribution of certain works, sometimes with conditions, and they advocate free content and file sharing as a promotional tool.