The first female student at the Academia de Dibujo y Pintura (Academy of Drawing and Painting), Mendoza studied sculpting under the mentorship of Agustin Saez and Lorenzo Rocha.
During the 1970s and the 1980s, women printmakers and graphic artists began contributing their works of imagery to the Philippine art scene, such as Brenda Fajardo, Ofelia Gelvezon-Tequi, and Imelda Cajipe-Endaya.
Women sculptors like Agnes Arellano, Julie Lluch, Genera Banzon, and Francesca Enriquez also made their noteworthy impressions to the field of sculpting by creating non-traditional statues.
[1] As a mixed-media artist, Brenda Fajardo used art to describe folk magic and folklore of the Sulod people (part of the Aeta ethnic group) of Panay province.
[2] On the other hand, Nena Saguil (died in 1994) expressed her artistry through the use of pen and ink to draw abstract images employing dots, bubble, vortices, and rays, including an imagery of an "enlarged hymen" and "a woman cleaning a toilet bowl splattered with human excrement".
Another noteworthy Filipino woman artist was painter[2] and sculptor Elsie "Inday" Cadapan whose 1997 sculpture was unveiled for display by former Philippine President Corazon Aquino on October 30, 1997, at the front lobby of the Government Service Insurance System (GSIS) building.
The project employs the use of scrap materials to teach women how to create miniature houses, as a means of expressing their feelings long after the occurrence of abuse and build positive experiences in their minds and to once again become in control of their bodies.