While filming near the India-Pakistan border, the crew encounters Indian police officers patrolling the area.

On his drive back, he encounters a cyclist lying on the road and checks him out, but soon realizes from the shadows that it's a ruse.

The group leader is disappointed that their original plan to kidnap an American crew-member didn't occur.

The house where he is confined belongs to Aftaab, a Pakistani Muslim whose trade stems from pirated Hindi films, which he brings back every time he crosses the border.

Aftaab plays Sunny's favorite film Maine Pyaar Kiya for the villagers to watch.

Sunny loudly mimics the dialogues of the film in his room and this forces Mehmood to let him join the villagers and watch it.

As Sunny helps fill in for the muted dialog of the film, Aftaab starts forging a bond with him.

The physician who cleaned up the wound and gave Sunny medicines talks about his desire to visit Amritsar as he used to before the partition of India and Pakistan.

Sunny holds on to the camera to prevent Mehmood from destroying it, and gets slapped hard several times before Jawaad stepped in and stopped him.

The Pakistani border patrol arrives at the village, causing Mehmood to suspect that Aftaab had tipped them off.

He locks both of them up after Aftaab promises to help Sunny escape as long as he is alive, and questions why people like Mehmood are destroying Pakistan in the name of Allah.

After a verbal argument between the two, Mehmood swings his gun to shoot Jawaad but is shot down and falls dead.

They again run towards the border while bullets were fired at them but missed, with the interlaced public dialogues of Mohammed Ali Jinnah and Jawaharlal Nehru in the background.

The film was declared tax free in Maharashtra due to the idea of binding the countries of India and Pakistan.

[5] The 1987 Soviet film A Man from the Boulevard des Capucines directed by Alla Surikova has a similar theme.