She specialises in public art, including large sculptures, stone carving and lettering, and combines traditional with experimental techniques.
In this sculpture, the bronze Thomas Attwood, the economist who helped bring about the Reform Act of 1832, has apparently climbed down from his pedestal – or soapbox – and is sitting on the steps of the amphitheatre, continuing his work.
[16] These are stone and metallic pavement markers which guide visitors on the Diana, Princess of Wales Memorial Walk in London.
[17][18] This project involved a Millennium Myths and Monsters Festival competition in which children designed grotesque carvings to replace weather-worn ones on the Bodleian Library, Oxford.
The nine winning designs are: Wild boar, Dodo, Tweedledum and Tweedledee, J. R. R. Tolkien characters, General Pitt Rivers, Aslan the Lion, Green Man, Sir Thomas Bodley, and Three Men in a Boat.
"[19][20][21] Regarding the view of the carvings from below, Alec Peever said: "It's to do with the foreshortening and the perspective of the figures, and also the way the shadows work in order to create the strength of design that can be understood by the passerby.
"[22] Dr Sarah Thomas, librarian, said: "They have been beautifully interpreted by the stone carvers who have managed to create grotesques that work as sculptures and yet still capture the original charm of the children's drawings.
[24] This Junior department of Highgate School in London was designed by Architype in Portland stone to replace the Cholmeley House library, and completed in 2016.
Fiona and Alec executed sculptures here, including a chameleon, a centipede, and gargoyles on themes appropriate for children, as well as a painted glass window screen.