The First Men in the Moon by the English author H. G. Wells is a scientific romance, originally serialised in The Strand Magazine and The Cosmopolitan from November 1900 to June 1901 and published in hardcover in 1901.
[4] Comparable to Aldous Huxley's Brave New World, the book appears to be an introspective reductio of Wells' own eugenic and especially socialist ideals in favor of more nuanced versions.
Bedford sees in the commercial production of cavorite a possible source of "wealth enough to work any sort of social revolution we fancied; we might own and order the whole world".
[8] On the surface of the Moon the two men discover a desolate landscape, but as the Sun rises, the thin, frozen atmosphere vaporises and strange plants begin to grow with extraordinary rapidity.
[9] The insectoid lunar natives (referred to as "Selenites", after Selene, the Greek moon goddess) are part of a complex and technologically sophisticated society that lives underground, but this is revealed only in radio communications received from Cavor after Bedford's return to Earth.
Chapter 20, "Mr. Bedford in Infinite Space", plays no role in the plot but is a remarkable set piece in which the narrator describes experiencing a quasi-mystical "pervading doubt of my own identity.
But in that direction no light was forthcoming, though the strangest fancies came drifting into my brain, queer remote suspicions like shadow seem from far away... Do you know I had an idea that really I was something quite outside not only the world, but all worlds, and out of space and time, and that this poor Bedford was just a peephole through which I looked at life..."[10] By good fortune, the narrator lands in the sea off the coast of Britain, near the seaside town of Littlestone, not far from his point of departure.
There, too, a central role in the story line is played by a partnership between a worldly businessman interested in the material gains from space travel (and specifically, in importing extraterrestrial gold to Earth) and a scientist with wider cosmic theories.
Also in Lewis's book, the two quietly build themselves a spaceship in the seclusion of an English country house, and take off into space without being noticed by the rest of the world.
(It may be noted that both Wells and Lewis, like virtually all science fiction writers until the 1950s, grossly underestimated the resources needed for even the smallest jaunt outside Earth's gravitational field.)
Moreover, his scientist, Professor Weston, has a philosophy diametrically opposite to Cavor's, being an outspoken proponent of human colonisation of other planets, up to and including extermination of "primitive natives".
[14] The book could also be considered to have launched the science fiction subgenre depicting intelligent social insects, in some cases a non-human species such as the space-traveling Shaara "bees" in the future universe of A. Bertram Chandler, in others (such as Frank Herbert's Hellstrom's Hive) humans who evolved or consciously engineered their society in this direction.