Fish Tank was critically acclaimed and won the Jury Prize at the 2009 Cannes Film Festival.
Mia Williams, a volatile and socially isolated 15-year-old, lives on an East London council estate with her single mother, Joanne, and younger sister, Tyler.
Mia regularly practices hip-hop dance alone in a deserted flat in her family's building, drinking alcoholic cider beforehand.
He introduces them to his favourite song, Bobby Womack's version of "California Dreamin'", and shows Mia how to catch a fish using her bare hands.
A social worker visits Joanne regarding Mia, offering a referral to a boarding unit for disengaged teens.
At an internet café, Mia takes a poster stuck up in the window by a club that is clearly advertising for erotic dancers.
Mia angrily urinates on Connor's living room floor, and then sneaks out of the back door when the family return home.
Mia returns home to pack for the trip, and, despite their coldness, joins Joanne and her sister in synchronised dancing to Nas' "Life's a Bitch".
Actors were unaware of their characters' trajectories through the film due to only being provided relevant sections of the script at a time.
Characters in the film dance to the song "Me & U" by Cassie and the video for Down 4 U by Ja Rule and Ashanti is shown on screen.
Other songs include "Jah Rule (w/ Paul St. Hilaire)" by Rhythm & Sound (Album: W/The Artists), "Life's a Bitch" by Nas, "Just to Get a Rep" by Gang Starr, "Cool Down the Pace" by Gregory Isaacs, "Your House" by Steel Pulse, "Juice" by Eric B and Rakim, "Baby girl" by Wiley, "Show Me Love" (Stonebridge Club Mix) by Robin S, "Get Up Offa That Thing" by James Brown, "In The Fading Light" by New Device, and "Original Nuttah" by Shy FX & UK Apache.
[19] A new high-definition digital transfer of the film was released on DVD and Blu-ray by The Criterion Collection in February 2011.
Extras include three short films by director Andrea Arnold: Milk (1998), Dog (2001), and the Oscar-winning Wasp (2003).
The consensus states "Cannes Jury Prize-winner Fish Tank is gritty British realism at its very best, with flawless performances from newcomer Kate Jarvis, and Michael Fassbender.
[23] The New Yorker's David Denby writes, "Fish Tank may begin as a patch of lower-class chaos, but it turns into a commanding, emotionally satisfying movie, comparable to such youth-in-trouble classics as The 400 Blows".