By her own accord, she was an unwanted child; her mother had attempted to terminate the pregnancy, which was not possible at the time due to the anti-abortion laws in the Soviet Union.

After 1967, Karimova began singing national orchestra based rock and Jazz style songs, becoming the first person to do so in the field.

Karimova sang some of the most popular songs first time at the concert, such as Reyhan, Telebe, Okhu Tar, Gejeler Bulak Bashi, Dalghalar, Qurban adina, Men seni araram, Gulerem Gulsen, Geceler, Geceler bulaq bashi, Azerbaycanim, Maralim Gel, Lirik Mahni, Sen menimsen men senin, Sachlarina Gul duzum, Sevirem Seni, Sevmeyir qoy sevmesin, Bakinin isihiqlari, Baki geceleri, Gelmedi yar, Getme-getme, Uzaq yashil ada, Bele qemli dayanma, Kepenek and so on.

Her famous soundtracks were Qaynana, Alma Almaya Benzer, Baki sabahin xeyir, Gece yaman uzundur, Ey heyat sen ne qeribesen, Onun Belali sevgisi, Evleri Kondelen yar, as well as cartoon soundtracks are Tiq-Tiq xanim (Pis-pisa xanim) ve Sichan bey, Humayin yuxusu, Toplan among others.

Subsequently, she continued to cover professional songs by popular composers, including, Fikrat Amirov (Sevil Operasi), Seid Rustamov, Rauf Hajiyev, Tofig Bakikhanov, Aghabajy Rzayeva, Tofiq Ahmedov, Alakbar Taghiyev, Tamilla Mammadzade, Shafiqa Axundova, Ramiz Mustafayev, Suleyman Asgerov, Safar Sheykhov, Tofig Guliyev, Ramiz Mustafayev, and her first husband, Prof.

This drew millions of audience to watch first ever history in Leyla & Majnun with great passion and excitement, enjoying Opera in Flora Karimova's 4 octave voice.

Upon realizing her Pop-rock vocal voice was tuning out in favor of national mugham style, she stopped altogether and left the theater for good after 8 times of performing "Leyla and Majnun."

Director Ehsen Dadashov deluded her as she remembers: "I was firstly promised to play a role of Balash, who was a second part minor character in the film.

However, after this successful performance, she was invited to star in other film that she had to turn down because of her husband's death (Ibrahim Topchubashov) Flora khanym sang various genres of music.

In her early repertoire started Azerbaijan Turkic National style of Folk songs those were composed by Alakbar Taghiyev.

in 1965 and 1969 most of popular songs performed by Flora Karimova which surged her fame and played significantly improve her reputation.

Her some songs especially Sachlarina Gul Duzum (R.Hajiyev), Ozumden Kuserem (E.Sabitoglu), Baghishla meni (T.Bakixanov), Axtarma Meni (E.Sabitoglu), Ne Bextiyardiq (I.Topchubashov), Ey Heyat Sen ne Qeribesen (O.Kazimi), Yansin Gerek (O.Kazimi), Perishanin Mahnisi (F.Amirov), Azerbaycanim (R.Hajiyev), Bakinin Ishiqlari (I.Karimov), Bir xeber ver ey kulek (T.Mammadzadeh), Chinar ve Men (O.Kazimi), Dalgalar (R.Mirishli), Ele xoshbaxtam ki (R.Mustafayev), Elvida Hindistan (S.Akhundova), Gece Yaman Uzundur (F.Babayeva), Gelmedin (S.Rustamov), Getme yar (S.Rustamov), Gozellikler Meskeni (T.Bakikhanov), Gozum dushdu (H. Khanmammadov), Gule vererdim (R.Mustafayev), Hamidan Goyechek (I.Topchubashov), Intizar (N.Mammadov), Konlum (R.Mustafayev), Kusmerem (S.Asgerov), Layla (Seid Rustamov), Lay-Lay (Hokume Najafova), Maralim gel (S.Rustamov), Neylerem Unutsan (E. Taghiyev), Qurban oldugum (T.Bakikhanov), Telebe (T.Hajiyev), Reyhan (F.Amirov), Ay gozel, Baki (J.Jahangirov), Sen menimsen men senin (T.Guliyev), Sene men neyledim (O.Kazimi), Sensiz olmasin (T.Mammadzade), Sensizlik (J.Jahangirov), Sevgilim (S.Rustamov), Sevirem Seni (S.Rustamov), Sevmeyir qoy sevmesin (S.Rustamov), Shirin Arzular (E.Taghiyev), Ulduzlar (H.Najafova) and so on were in her beloved repertoire.

Everyone who considered to be modern and European kind as well as elite or upper side of society with high intelligence and culture preferred to listen to Flora Karimova.

She was regarded as a kind of an especial image for those who treated stood out from common social conception rather than Contemporary Rebellions in culture and manner.

Since 1971 she sang popular songs composed by famous composers such as Oktay Kazimi, Emin Sabitoghlu, Elza Ibrahimova, Nariman Mammadov, Taleh Hajiyev, Sevda Ibrahimova Firengiz Babayeva, Eldar Mansurov, Israil Karimov, Cahangir Cahangirov, Tofiq Babayev, Mobil Babayev, Cavanshir Quliyev, Oqtay Rajabov, Ramiz Mirishli, Faiq Sujaddinov, Ruhangiz Qasimova, Vasif Adigozelov, Siyavush Karimi, Khayyam Mirzazade, Tofig Ahmedov, Arif Malikov whose careers started by performing their firsts by Flora Karimova.

in the 1970s She sang famous sequence songs with his orchestra; Qocalir anam, Bele ola hemishe, Yaghma Yaghis, Niye gelmedin and others.

The Azerbaijan Soviet Authority Governess offered her a position in the KGB as a part of a honey trap operation, eliminating anti-Soviet businessmen and public figures.

In 1988 her records began to be terminated and almost half of her archive was undermined by Soviet Authority to punish and deter her from her political movement.

Flora Karimova was first ever Azerbaijan modern woman social freedom and human rights activist.

She played a significant role in the way of regaining Independence in Azerbaijan of Russia second time and establishing Modern Republic State.

Since 1995 Flora Karimova disagreed Heydar Aliyev's government and began to struggle for human rights and democracy in Azerbaijan.

She had organised and initiated considerably important campaigns for Democratic values and human rights in Baku and became one successful public figure in her struggling period.

Her songs in films, theater plays and cartoons were removed or skewed intentionally to vanish her music history for good for second time.

Although she won the election, her result was distorted for her opponent Hijran Huseynova, She completely disagreed and sued Azerbaijan government to court.