On 8 January 1662, van der Steen signed his name in the ecclesiastical registers of the Schottenkirche (Scottish church) in Vienna as he, together with the Flemish painter Jan de Herdt, acted as a witnesses at the wedding of the Dutch landscape painter Hans de Jode.
Van der Steen and Jan de Herdt later collaborated on a series of aristocratic portraits for the publication Historia di Lepoldo Cesare.
It was a catalog of 243 Italian paintings in the collection of over 1300 pictures owned by Teniers' employer, the Archduke Leopold Wilhelm of Austria.
Nikolaus van Hoy worked as the intermediary draughtsman for several of the prints as he translated the modelli made by Teniers into drawings.
[10] He also worked with the Antwerp publisher and engraver Joannes Meyssens on portrait engravings for Het Gulden Cabinet der Edel Vry Schilderconst, the book of artist biographies written by Cornelis de Bie first published in 1662.
It describes the festival, including a horse ballet, that was performed in January 1667, under the direction of Alessandro Carducci, with floats designed by Carlo Pasetti and a text written by Francesco Sbarra.
The book was published in 1667 in Vienna under the title Sieg-Streit Deß Lufft vnd Wassers ('Fight between air and water').