It also includes production from Gibbs himself, credited as Freddie Kane, alongside Kenny Beats, Jones, A. Lau, RichGains and Tony Seltzer, among others.

Riley Wallace of HipHopDX praised the album, stating Gibbs has "enough fire here to remind fans that he’s able to compete in an era that has continuously boats of some insane releases."

Wallace also commented that "the 10-song effort delivers an experience that fans of Gangsta Gibbs have come to expect after the last two projects: glimmering gems scattered among a curated blend of believable, high-quality gangsterism.

"[8] Meaghan Garvey of Pitchfork wrote that Freddie "feels like a pure and reckless purge from Gibbs, a collection that finds him at his wildest and most essential.

called Freddie "trolling-as-marketing done right: Gibbs juxtaposes the silky, colourful imagery of vintage R&B with crude beats and tight, blissfully vulgar verses that demand to be replayed at ignorant levels.