In order to promote the track, an accompanying music video was released in July 2007; it depicted Suzuki in a small four-by-four room lit with LED lights and television screens bearing Nakata's face.

In March 2007, Suzuki started her "join" project and released her fifth studio album Connetta, which featured a variety of collaborators and producers.

[1] Although it was noted for its experimental adaption of musical genres, Suzuki went on to perform club-oriented remixes and songs at night clubs around Japan.

Eventually, Avex contacted Japanese producer and Capsule member Yasutaka Nakata, in June 2007, to work with Suzuki on her next album, which he accepted.

Eventually, Suzuki met with the producer at the same location, which she described "cozy", but decided to minimise the number of staff attending with her in order to work on the track intimately.

[4] But during the process, having already started work with musicians such as Meg and Perfume, concurrent with his own band, that same year, Nakata only contributed to the two songs.

[10] Conversely, Kyle from Arama Japan noticed its strong influence of house music, and branded it a "J-electro" track.

[9][13] The digital release, which was promoted through Avex Entertainment Inc. globally, only included the single and the extended mix to "Super Music Maker".

[14] Seven days later, Avex's sub-label Rhythm Republic, issued a 12" inch record that included the extended mixes of both singles; only limited copies were available at the singer's official website.

[16] There are three different artworks; the normal CD cover featured Suzuki kneeling down, whilst the DVD had her bending down with her back towards the camera.

The artworks were placed on the back of the jewelcases, and the booklet featured another shot of her looking upwards; when opened, her bottom half is shown on the other side of the book.

[10] Kazuji Uemesu from Tower Records ran an article that detailed the release of Supreme Show—Suzuki's seventh album—and labelled the collaboration between the two "brilliant".

[20] In the album review, a member from the same magazine highlighted as one of Suzuki's best tracks, and called it an "explosive euphoria" that went onto emphasize the recording artists voice and sound.

[4] Originally, Suzuki crafted plans to shoot the video for "Super Music Maker" instead, and had given the details of her proposed layout for the set to the director and to the executives at Avex Trax.

[4] Several props included large screens and LED lights that were placed in a three-wall room (omitting the front wall in order to shoot the video).

Suzuki explained that the scenery is not in fact "a night club", as she believed that it has "no story" and only works by the "feel-good" vibe of the song itself; however, she did note how the lights made it look like one.

She dances and sings the track in the room—taken with long shot and face-up directions—whilst posing next to a couple of TV screens that features Nakata's face.

Additionally clones are added into a kaleidoscopic scene, and the video ends with Suzuki standing in the middle of the room as the lights turn red.

The finished video was promoted in media as "ero-pop", with Suzuki feeling it expressed the "sexiness" of Nakata Yasutaka's music and her own "pop" image.

She first performed the track at a hosting party at Tower Records in Shibuya, Tokyo, were only selected purchases of the physical formats included a lottery ticket.