Fuck Buttons were a British electronic music duo formed in 2004 in Bristol by Andrew Hung and Benjamin John Power.

[4] They developed a friendship in 2004 while attending art school in Bristol,[3] and began working together, initially to create the soundtrack to a film made by Hung.

[4] Time Out magazine described the band's live sound as an "adrenaline pumping, ear purging slab of towering, pristine noise".

Combined with an upsurge in reviews of their live performances at the Supersonic, Truck and Portishead-curated ATP festivals in the second half of 2007, this attention resulted in Fuck Buttons being included in many end of year newspaper, magazine and online articles predicting them as a 'Hot Tip' for 2008.

Early reviews of Street Horrrsing were very positive; it was named Underground Album of the Month by Mojo Magazine, who called it "a 50-minute melange of iridescent synths, psychedelic drone, distorted vocals and tribal rhythm".

Positive reviews also featured in The Times, The Observer, The Wire, NME, Rock Sound, Kerrang!, Uncut, Sydney Morning Herald, and many other music publications and websites.

[14] For the Guardian, Louis Pattison described Fuck Buttons' style prior to the release of Slow Focus as being inspired by My Bloody Valentine, Spacemen 3 and Mogwai, noting, however, that what distinguished them from their influences was the lack of prominent or traditional use of guitars; Pattison described this as "a sustained battery of fuzzed-out drones, crashing drums, and a cacophony of shrieks and cries".

[17] In 2012, Andrew Hung founded a new project called Dawn Hunger with vocalist Claire Inglis and musician Matthew de Pulford.

Working with Director Jim Hosking on cult film The Greasy Strangler, An Evening With Beverly Luff Linn and the series Tropical Cop Tales for Adult Swim.