[6] Jon Dolan of City Pages noted "[Company Flow's] evincing a confrontational critique of 'those signed, big-budget muthafuckas' like none hip hop has attempted since EPMD's Strictly Business.

"[15] Jeff Weiss of the Los Angeles Times felt that "El-P conjured an apocalyptic minimalism -- the sublimated sound of clanging and cluttered train cars, city grime buried beneath cuticles, and the ghostly smoke of burning blunts.

"[17] The New York Times wrote that Company Flow "rap fast, rude, free-associative boasts and dystopian visions over tracks that mesh raunchy old funk snippets with electronic noise, making hip-hop that's simultaneously propulsive and disorienting.

"[18] Nate Patrin of Pitchfork said: "With the exception of the nocturnal crystalline funk of the Bigg Jus-produced 'Lune TNS' and the frequent scratch contributions from secret weapon DJ Mr. Len, Funcrusher Plus' beats bear the mark of El-P's dusty-but-digital aesthetic, which even back then had the same sort of beautiful-dystopia Blade Runner feel that informed Cannibal Ox's The Cold Vein and his own Fantastic Damage a few years later.

"[12] AllMusic gave the album a perfect 5 star rating, and writer Steve Huey stated: "[Funcrusher Plus] demands intense concentration, but also rewards it, and its advancement of hip-hop as an art form is still being felt.