In ancient Rome, small stone statues depicting the Greco-Roman fertility god Priapus, also a protector of beehives, flocks, and vineyards, were frequently placed in Roman gardens.
[1][2][3] Gnomes as magical creatures were first described during the Renaissance period by Swiss alchemist Paracelsus as "diminutive figures two spans in height who did not like to mix with humans".
[4] During this period, stone "grotesques", which were typically garishly painted, 1-metre-tall (3.3 ft) figurines, were commonly placed in the gardens of the wealthy.
By the late 18th century, gnome-like figurines made of wood or porcelain, known by names including "dwarves", had become popular household decorations in some parts of Europe.
[5] The Dresden company Baehr and Maresch had small ceramic statues of "dwarves" or "little folk" in stock as early as 1841.
[6] Nicknamed "Lampy", the only gnome of the original batch to survive is on display at Lamport Hall and insured for £1 million.
[8] Use of the term "garden gnome" may originate from fact that German catalogues sold ornaments of dwarfs under the name gnomen-figuren, meaning miniature figurines.
[9] From around 1860 onwards, Gräfenroda, a town in Thuringia long known for its ceramics, became increasingly associated with production of garden gnomes.
The reputation of German gnomes declined after World War I, but they became popular again in the 1930s following Disney's animated film Snow White and the Seven Dwarfs, when more working-class people were able to purchase them.