Gay pulp fiction

Gay pulps are part of the expansion of cheap paperback books that began in the 1930s and "reached its full force in the early 1950s.

"[1] Mainstream publishers packaged the cheap paperbacks to be sold in train and bus stations, dimestores, drugstores, grocery stores, and newsstands, to reach the market that had bought pulp magazines in the first half of the twentieth century.

Designed to catch the eye, the paperback books featured vivid cover art and often dealt with taboo subjects: prostitution, rape, interracial romances, lesbianism, and male homosexuality.

"[2] Beginning around 1964, the more than a decade of challenges to U.S. censorship laws applied to literary novels such as Lady Chatterley's Lover, Portnoy's Complaint, and Naked Lunch had redefined legal standards for obscenity.

For example, Greenleaf (under editor Earl Kemp) published a series of erotic spy parodies called The Man from C.A.M.P., written by Victor J. Banis.

As Susan Stryker and Michael Meeker note in a new preface to Lou Rand's The Gay Detective (1965), San Francisco area LGBT historians found that the paperback in question turned out to be a valuable document in describing past prominent if closeted social figures, ethnic conflicts over police corruption and the emergence of a narcotics underworld in their city, as well as referring to bygone LGBT venues.

While all of them include more explicit sexual content than literary novels or mainstream, non-sexual paperback fiction (Westerns, romances, etc.)

Cover of 1968 gay pulp fiction novel Midtown Queen , by Julian Mark