Despite this, she was a very talented young girl, playing Musset at Théâtre National Populaire and entering the Conservatory.

She co-starred with Robert Mitchum and Ingrid Thulin in Foreign Intrigue (1956), Dirk Bogarde and Capucine in Song Without End (1960), Charlton Heston and Sophia Loren in El Cid (1961), and was seen in Grand Prix (1966) with James Garner, and Belle de Jour (1967), with Catherine Deneuve and directed by Luis Buñuel.

She appeared with Deneuve again when she played Countess Larisch in Mayerling (1968), also co-starring with Ava Gardner and James Mason.

Les Beaux Jours, both of which were directed by Jean-Louis Barrault Madeleine Renaud Co.[6][7] Her theatre career continued in the 1980s and 1990s, with Les larmes amères de Petra von Kant (The Bitter Tears of Petra von Kant) (1980), La nuit des rois (Twelfth Night, William Shakespeare), La femme sur le lit (The Woman on the Bed, Franco Brusati) 1994, and Delicate Balance (1998).

[3] Page was educated at École du Louvre and Conservatoire national des arts et métiers.