[1] These included the Edith Cavell Memorial in London, which, along with the Peter Pan statue in Kensington Gardens are possibly Frampton's best known works.

[2] He also created an altarpiece for Manchester Cathedral, some decorative pieces for the Henry Fawcett Memorial in London and a pair of terracotta figures representing Concord and Industry which were exhibited in Paris and purchased for the Municipal Building in Christchurch, New Zealand.

[4][6] In 1893, Frampton married the artist Christabel Cockerell and the couple set up home together at St John's Wood in London.

In panels and niches around the statue, which he placed on a pink marble pedestal, Frampton included 16th-century carvings of Owen's ancestors and fragments of her 17th-century tomb.

The architect John William Simpson appointed Frampton as master sculptor for the decoration of the facade of the Kelvingrove Art Gallery and Museum in Glasgow.

[4] As well as overseeing the work of several other sculptors, Frampton created a bronze sculpture group and three sets of stone spandrels for the north porch of the new building.

[11] The sculpture group, of St Mungo attended by the muses of Art and Music, in the central arch of the porch contains Symbolism style motifs featuring trees, bells and fishes similar to those Frampron had used in some of his earlier smaller pieces.

There, Frampton created, at first floor level, a frieze in Portland stone of female figures representing Trade, Commerce and Shipping with four bronze statuettes at key points.

[4] In April 1897, a public meeting in Calcutta (now Kolkata) agreed to raise funds to mark the Diamond Jubilee of Queen Victoria and, eventually, commissioned Frampton to create a statue of the monarch.

The accompanying text described a figure over twice life-size, seated under a canopy, wearing the robe of the Order of the Star of India, decorated in gold, ivory and lapis lazuli.

[4] Although the statue sent to India was considerably less ornate and lacked the canopy of the original proposal, Frampton's completed work included two putti in a New Sculpture style above the back of the throne plus two miniature infantrymen on the pedestal and a small figure of St George held by the Queen.

[4] Lord Curzon, the driving force behind the Memorial project, came to dislike Frampton's depiction of an elderly and vulnerable Victoria and commissioned Thomas Brock to create a second statue, in marble, of a younger Queen to be placed in the central hall of the completed building.

[18] Among Frampton's other notable public sculptures are the figures of Peter Pan playing a set of pipes, the lions at the British Museum and the Edith Cavell Memorial that stands outside the National Portrait Gallery, London.

[21] During World War I Frampton used his position in various art societies and institutions to expel any German members he considered potential "enemy aliens".

Having waived his fee for the work, Frampton's modernist style monument in marble and granite was unveiled to huge crowds near Trafalgar Square in central London during 1920.

A memorial sculpted by Ernest Gillick in 1930 depicting a bronze child holding a miniature copy of Frampton's statue of Peter Pan is located in the Crypt of St. Paul's Cathedral.