George Hunt Williamson (December 9, 1926 – January 1986), aka Michael d'Obrenovic and Brother Philip, was an American flying saucer contactee, channel, and metaphysical author who came to prominence in the 1950s.
well AFTER the events of November 20, 1952, related in Flying Saucers Have Landed… and he worked for Pelley in 1954… See Zirger & Martinelli, The Incredible Life of George Hunt Williamson, p. 101).
They heard from Actar of Mercury, Adu of Hatonn in Andromeda, Agfa Affa from Uranus,[10] Ankar-22 of Jupiter, Artok of Pluto, Awa from Outer Space, Garr from Pluto, Kadar Lacu from Saturn, Karas the Space Brother, Lomec of Venus, Nah-9 from Neptune, Noro of the Saucer Fleet, Oara of Saturn, Ponnar of Hatoon (presumably not the same Ponnar who was the exclusive contact of Frances Swan), Regga of Mars, Ro of Torresoton, Sedat of Hatonn, Suttku of Saturn, Terra of Venus, Wan-4 of the Safanian planets, Zago of Mars and Zo of Neptune.
Perhaps influenced by the Shaver Mystery, Williamson also reveals that while most space aliens are helpful and good, there are some very bad ones hanging out near Orion and headed for earth in force, bent on conquest.
These books, when not rewriting the Old and New Testaments to depict every important person as a reincarnation of one of only six or eight different "entities," expanded on the usual late 19th Century Theosophical teachings [11] that friendly Space Brothers in the distant past had taught the human race the rudiments of civilization and, according to Williamson, spacemen had also helped materially in the founding of the Jewish and Christian religions, impersonating "gods" and providing "miracles" when needed.
Williamson spiced his books with additional Ouija-revelations to the effect that some South, Central and North American ancient civilizations actually began as colonies of human-appearing extraterrestrials.
Williamson can be considered a more mystically-inclined forerunner of Erich von Däniken; Secret Places of the Lion also displays the clear and explicit influence of Immanuel Velikovsky.