Georges Dufaux (French pronunciation: [ʒɔʁʒ dyfo]; March 17, 1927 in Lille, France – November 8, 2008 in Switzerland) was a Canadian documentary film director and cinematographer.
Dufaux eventually progressed to cinematographer and was responsible for the photography of many important Canadian films such as Les Brûlés (1959), Astataïon ou Le festin des morts (1965), YUL 871 (1966), Isabel (1968), Fortune and Men's Eyes (1971), Taureau (1973), Les beaux souvenirs (1981), and An Imaginary Tale (Une histoire inventée) (1990).
-L'homme multiplié (1969) (English: Multiple Man) A short, silent film about humanity on a global level produced originally in 70 mm with stereophonic sound.
Despite a commendable effort the fight may just be a losing battle... -Au bout de mon âge (1975) (English: At the End of My Days) The film follows the slow and painful itinerary of an aged couple with diminishing capacities, both physical and mental, who are facing a complexity of problems by no means unique: they are not well enough to go into residence but are not ill enough to go into a nursing home.
The danger and tedium of life on a modern fishing boat is vividly captured as well as the processing plants and the families of the fisherman back on shore.