Germain Boffrand

[1] His major commissions, culminating in his interiors at the Hôtel de Soubise, were memorialised in his treatise Livre d'architecture, published in 1745, which served to disseminate the French Louis XV style throughout Europe.

Born at Nantes, the son of a provincial architect, Boffrand went to Paris in 1681 to study sculpture in the atelier of François Girardon, before entering the large official practice of Jules Hardouin-Mansart.

He was employed from 1689 (Kimball) on works in the Bâtiments du Roi under Mansart, notably at the Orangerie of Palace of Versailles and in Paris at Place Vendôme, where Boffrand was among the draughtsmen responsible for the first designs (from 1686) and for the Convent of the Capucins, Hôtel de Vendôme[2] From 1693 he was less employed and in 1699 he left the Bâtiments du Roi[3] to commence work, at first in Lorraine and in the Netherlands, then after his return to Paris in 1709, for a distinguished private clientele in Paris, well disposed towards his audacious innovations, such as the oval forecourt of the Hôtel Amelot de Gournay (1710–13), that were unthinkable in the royal works.

In 1709, he was placed in charge of the interior apartments of the Hôtel de Soubise, where he soon succeeded the architect Pierre-Alexis Delamair (1676–1745).

[7] He also constructed a fountain and a hunt pavilion, Bouchefort, in the gardens of the schloss belonging to the Elector of Bavaria, Maximilian II Emmanuel.

His designs were carried out in the main suite of rooms, where Fiske Kimball detected Boffrand's artistic control in the stuccowork by Johann Peter Castelli of Bonn.

Portrait of Germain Boffrand by Lambert-Sigisbert Adam
Hôtel de Soubise (1704–1707); Boffrand returned to execute a suite of high rococo interiors (1735–1740)
Wall elevation in the bedroom of the Prince de Rohan at the Hôtel de Soubise
Château de Lunéville (1708–1709)