Germano Celant

In 1963 he worked as assistant editor for Marcatrè, a Genoa-based magazine about architecture, art, design, music and literature founded by Vitone,[2] Eugenio Battisti, Paolo Portoghesi, Diego Carpitella, Maurizio Calvesi, Umberto Eco, Vittorio Gelmetti and Edoardo Sanguineti.

"Arte Povera" was essentially formed around two nuclei: one in Turin, with artists such as Michelangelo Pistoletto, Mario Merz, Marisa Merz, Giuseppe Penone, Giulio Paolini, Giovanni Anselmo, and Piero Gilardi; and one in Rome, with Alighiero Boetti, Jannis Kounellis, Emilio Prini and Pino Pascali.

In 1997, he was the director of the Venice Biennale and in 2004, he curated the exhibition "Art and Architecture" in Genoa when the city was nominated as European Capital of Culture.

Under his leadership, the foundation over the years presented shows of Walter de Maria, Louise Bourgeois, Anish Kapoor, David Smith, Michael Heizer, Sam Taylor-Wood, and Steve McQueen, among others, in Milan and Venice.

[7] His 2012 show "The Small Utopia: Ars Multiplicata" at Ca' Corner della Regina, Venice, tackled the issue of art in the age of mechanical reproduction and how artists from Marcel Duchamp to Andy Warhol have used multiplication of various sorts.

It contained over 600 items, produced between 1900 and 1975, and included design, ceramics, glassware, textiles, film, magazines, books, and sound recordings.