Get the Hell Out (Chinese: 逃出立法院) is a 2020 Taiwanese horror comedy film directed by Wang I-fan in his feature debut, co-written with Chien Shih-keng.

Starring Megan Lai, Bruce Hung, Wang Chung-huang, Tuo Tsung-hua, Francesca Kao, and Da-her Lin, the film unfolds in the Legislative Yuan, the national assembly of Taiwan, where a zombie apocalypse disrupts a conference, as a former legislator (Lai) manipulates a security guard (Hung) to halt a bill for a chemical plant that caused the virus outbreak.

Hsiung, a newly elected legislator who campaigns to reject a bill for a chemical plant in her hometown that could potentially spread rabies to humans, is provoked by journalists aligned with the pro-construction faction and attempts to punch a photographer.

As the hearing begins and the legislators start to argue and fight, the president, who has previously visited the chemical plant, becomes infected with rabies and turns into a zombie.

The survivors fight their way back into the centre, where Li manages to obtain the key but then assaults Wang, extracting some of his blood to sell as a vaccine before escaping through the passageway alone.

[6] Chien described the screenwriting process as full of clashes, as Wang, who is not a fan of zombie films, often suggested incorporating elements from other genres.

[7][8] Wang cited the biggest creative difference as the ending, as he wanted it to be more subtle and emotional, while Tseng preferred a more uplifting and comedic conclusion.

[7] Disinterested in Hollywood zombie movie tropes, Wang did not reference them in the film, instead drawing inspiration from the works of Quentin Tarantino, Edgar Wright, and Guy Ritchie.

[10] To prepare for their roles, Megan Lai and Bruce Hung underwent a month of wrestling lessons and ten martial arts training sessions, respectively.

[38] Tim Grierson of Screen International described Get the Hell Out as a "sheer visual assault", noting that while it is filled with cheeky humor and suffers from poor character development, its "aesthetic brio" featuring "vibrant colours and frenetic editing" overshadows the film's faulty attempts at commentary and action.

[39] Joe Lipsett of Bloody Disgusting gave the film 4/5 marks, describing it as "an adrenaline shot of gory slapstick entertainment" and praising its thrilling action, which combines elements of Kung Fu Hustle (2004) and video game Scott Pilgrim, along with its humor, visuals, and set pieces.

[40] Chase Burns, reviewing for The Stranger, metaphorically likened watching the film to "ordering a quad espresso and injecting it straight into [one's] heart", as the story is "bloody, high-pitched, and feverishly paced".

[41] Estella Huang, writing for Mirror Media, considered the film a "creatively fresh work" that reflects contemporary issues in the Taiwanese Legislative Yuan, highlighting that while its length weakens the narrative strength, the well-thought-out art direction, scoring, and performances, along with director Wang I-fan's insights on the future of Taiwanese politics, make it an interesting and worthwhile watch.

[46] Jason Gorber, giving the film a 5/10 in his review for /Film, also pointed out that it suffers from a misdirection in attempting to "craft a bit of comically violent nonsense with a dash of democratic deviance thrown in", ultimately resulting in a failure on both fronts.

[49] Han Cheung of Taipei Times lamented the film for focusing too heavily on its frenetic and campy zombie genre elements, which ultimately detracts from its potential for deeper political commentary and social critique, resulting in a chaotic experience that feels lacking in substance despite its entertaining moments.