As a child he attended Catholic school and his favorite movies were Willy Wonka & the Chocolate Factory and The Texas Chain Saw Massacre.

As the band became more famous after dropping the "Spooky Kids" title in 1992, Gein's personality was becoming more chaotic through extensive drug use and other various acts of debauchery.

In October 1993, Reznor agreed to rework the production on Marilyn Manson's album, taking them and their tapes to The Record Plant in Los Angeles.

Ramirez appeared to assume a look and persona which drew heavily from Gein and then-girlfriend Jessicka from the riot goth band Jack Off Jill.

Alistarr Liddell, and guitarist Al B. Romano which highlighted displays of degenerate art, ideas, and post-punk styled songwriting.

Before the release of the Dali Gaggers' second album, Confessions of a Spooky Kid in 1999, Gein relapsed and began shooting heroin.

[7] His macabre experiences at the coroner's office have been documented in various international magazines and spurred a script and early production of a motion picture entitled Bag Boy which never saw a release.

His mixed media art was typically billed under his trademark GOLLYWOOD brand and featured various themes of blaxploitation, transgender people, and grotesque depictions of pop culture icons.

The guest list included Ego Plum, Kim Fowley, Jessicka, Ramzi Abed, Lenora Claire, Hollie Stevens and drag queens Squeaky Blonde and Fade-Dra.

Participants included Al B. Romano CC Manded from Murder Museum on lead vocals, Parris Mathew and others.