[3] Although Yohannan initially had misgivings about the 924 Gilman Street location spotted by Hayden, he was ultimately persuaded that the building was a suitable space for the project which was envisioned.
"[10] This necessitated a regularized approach to security and resulted in events that were less violent than the 1980s hardcore norm, providing a more or less "safe environment" and sense of collective responsibility.
[10] Josh Levine, a long time punk rock fan, band member, and 1986 Gilman volunteer later recalled: "There was something in the air, you could say, back then.
The venue saw the first public appearance of Operation Ivy, a thrashing ska-punk outfit that gained nearly instantaneous local popularity,[12] and was a proving grounds for the young Green Day—the albums of whom helped to launch the Lookout Records empire of Larry Livermore and David Hayes.
The eclectic sounds of this and other pioneer "Gilman bands" stood in contrast to the speed metal and ultra-aggressive hardcore which dominated the punk world during the middle 1980s.
[15] Although the Gilman "warehouse" provided a vital all-ages venue and spawned a vibrant local musical scene, its success was neither inevitable nor linear.
On September 11, 1988, citing the "physical and emotional exhaustion" of volunteers, ongoing problems with vandalism, and financial difficulties resulting from a $16,000 legal award to a slam dancer who had fallen and broken his arm in the pit, and expiration of the building lease, Gilman shut its doors.
[16] In a published eulogy by Tim Yohannan, Gilman was remembered as a fun place where "the old macho bullshit got attacked" and a stand had been made against "creeping racist and fascist crap.
"[17] Yohannan added that "apathy and taking Gilman for granted" had "led to a consumerist attitude" and that the decision had been made by core volunteers to "work together in other ways.
[18] In May 2016, members of the club's community anonymously called for a boycott of 924 Gilman in online posts over Facebook and Tumblr[19][20] citing several failures of the club in upholding its stated rules and ethics, notably a show featuring controversial hardcore punk bands Fang and Slapshot only narrowly being moved to an alternative venue, as well as allegations of sexism, transphobia and ableism made against some core volunteers at the time.
[20] Maximumrocknroll expressed support for the boycott, with then-editor Grace Ambrose stating that "Gilman's actions run counter to the spirit that propels MRR.
[24] Biafra held Maximumrocknroll indirectly responsible for the incident, claiming that his assailants were repeating allegations that he was a "rich rock star" made in a column which had recently appeared in the magazine.