Ginny Lloyd

[1] Her work was included in the exhibition, From Bonnard to Baselitz: A Decade of Acquisitions by the Prints Collection 1978–1988[2] and listed annually since 1992 in Benezit Dictionary of Artists.

[5] She became interested in computer imagery using technology themes in her art production in the 1970s, having learned programming languages while earning a graduate degree at Syracuse University.

In 1982 she used a Gravitronics system[6] which led to larger opportunities such as: a space center residency, teaching computer graphics at Ohlone College in Fremont, CA (CAD, PC paint, and Macintosh desktop publishing), Director position at the Macintosh Business Training Center, and a career developing training for employees and customers of numerous startups and corporations in the Silicon Valley/San Francisco Bay Area corridor through 2007.

In 1983, as part of the New Mexico Artist in Residence Program, supported by NASA and National Endowment for the Arts (NEA), Lloyd worked with the International Space Hall of Fame[10] creating a multimedia performance including a talking computer, lasers and a bank of video monitors.

[11] In 1984, Lloyd was involved with a project called Space: The Frontier Gallery with artists Mike Mages, Sam Samore, and Aron Ranen.

[16] In 1983, Blitzkunst : 54 artists of our era portrayed and questioned[17] was published by Kretschmer & Grossmann in Frankfurt Germany in English and German, with introductions by Judith Hoffberg, Carl Loeffler, and Hal Fisher.

For the project, Lloyd photographed and published interviews with 54 artists working across a variety of formats and media including many of the mail artists she corresponded with including Anna Banana, Vittore Baroni, Monty Cantsin, Ulises Carrión, Cavellini, and Stefan Eins.

It includes historical documents of official recognition, exhibits and events, books, catalogs, correspondence and articles about artistamp creators.

She obtained sponsorship from the Goethe Institute, San Francisco Arts Commission, Italian Museum, Canadian Consulate, and private grants.

She was a recent guest panelist at Ex Postal Facto held in 2014 at the San Francisco Library[28] and presenter at the Martin County Cultural Center in Stuart, Florida.

Her photography has appeared on the cover of books, The Creative Camera,[31] Soup, two issues of San Francisco's Music Calendar and most recently with the best selling memoir Fairyland.

[35] Lloyd's artworks are held in the collections of the National Gallery of Australia,[36] at Artistamp Museum of Artpool in Budapest,[37] Otis Art Institute of Parsons School of Design,[38] Joan Flasch Artist Book Collection at the Flaxman Library at the School of the Art Institute of Chicago,[39] and Beinecke Rare Book & Manuscript Library at Yale University.